@CasperDoogan @sneeden @yes @matrix There's two fronts. One is foreign and one domestic. Foreign pressure comes from China and the West.
Chinese censors want to review shows to make sure it's ok by their standards, and Japanese companies want access to their juicy markets so they cave to Chinese requests. These are usually the least malicious imo.
From the West you have companies like Netflix offer to produce anime for their platform and everyone wants to work with them because they pay way more than local companies. This information might be a little outdated though. Netflix brings in producers from the US who have bad taste to make shit. As time goes on they will only tighten their grip on productions there.
This isn't just Netflix, I'm using them as an example. There are many companies in America that are trying to get connected with the Japanese animation industry (even if it's just getting rights) because no one under 25 watches TV anymore.
There are also cases of localization intentionally changing the work to fit their personal agenda. Many of these translators are paid shit via contract (should have done business translation lol) and hate the material they're working on. Varis niggas document this stuff very well but I'm not aware of every single case like them.
Domestically you have a lot of Japanese creatives who are influenced by American values, like being a fag is an identity and society must conform to you. Things will continue to erode and it's worth being diligent with your media consumption. Not all anime is good anyway and there are plenty of TV shows and movies in America that can be ok as long as you're not watching commercials.
This is a case of "how many microplastics are you willing to accept in your food". I just slammed this out so if it doesn't seem clear sometimes my bad.