And this comes back to a greater point.
Why is it so fucking hard for TV show writers to hold to their plot? I get, that the "restart at the end of the episode" fits sitcoms, but whenever your show is about granter schemes, it becomes a posion, that stops all investment into literally all aspects, except for an ocasional joke or a great visual.
@colahpse
I get your point, but there have to be better options, then turning it into a soap opera.
>Why is it so fucking hard for TV show writers to hold to their plot?
If a TV show is a runaway success, why end it? The incentive for writers and showrunners to drag things out is built-in.