The wuwa crossover ending is literally like having a dream where you are happy and content and then your wife looks at you and says "it's time to wake up"

They even had to twist the knife with rebbecca. Jesus Christ. Night city has aoe damage, that shit was tagging them in an entirely new universe.
@Minty :cirno_heh: That's Cyberpunk baby. The whole genre is this. Either you go out in a blaze of glory or you stick around and get worn down by the world. Couldn't have ended any other way.

@Iffine @Minty i actually really hate the whole "that's cyberpunk" thing because it doesn't need to be that way, i think it's just misery porn for the sake of being edgy or some shit.

@beardalaxy @Minty I said it more for the joke but yeah, I'm not a big fan of unhappy endings either. I'd much prefer saying to hell with the sorrow and blasting through it all.

Though the genre is intentionally designed to be like this also. If you strip cyberpunk of the misery, you just have scifi. It's no longer cyberpunk. What makes cyberpunk what it is are all the megacorps and treating everyone and everything like it's a commodity. Does that make it better? Not really. The best ending you can hope for in cyberpunk is pretty much getting a job for someone who will cause others misery instead.
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@Iffine @Minty outside of the literal cyberpunk IP there are far better endings in the cyberpunk genre as a whole. of course there is usually some amount of death involved but it never feels quite as draining as it does in cyberpunk. i don't think cyberpunk genre = misery porn else it is sci-fi.

@beardalaxy @Minty It doesn't have to be misery porn though without some level of the world being a dystopian atrocity to live in it'd be a bit more debatable whether it's really cyberpunk genre. I can't say I'm a cyberpunk aficionado or anything but it is predisposed to suffering and practically every cyberpunk genre work or definition I've seen has to do with the dystopia. :cirno_think: Only happy endings I've ever seen come with an asterisk, since getting a proper full happy ending would downplay the dystopia.

There's also cyberpunk as a style which is its own thing, and it doesn't really apply to cyberpunk as a genre since you can make cool cyberpunk-looking things show up just about anywhere.

Again, it's not like I'm much of a fan of these ideas but they're the foundation of the vast majority of cyberpunk works.

@Iffine @Minty the bleak nihilism is very specific to Cyberpunk(tm) not the cyberpunk genre as a whole. pretty much every other cyberpunk story is not focused so much on the style or cool factor, they're kind of just cool by their very nature. they usually carry more substance than style, with a lot of exploration of inorganic vs organic things and what makes them different or alike. Cyberpunk(tm) doesn't really do any of that kind of philosophical stuff and it feels kind of surface-level for me as a result. it's still cool as fuck, don't get me wrong, but that's about all i can say.

cyberpunk usually takes place in a dystopia, of varying degrees. but nothing comes to my mind as being quite as fucked as Cyberpunk is, and the way it is fucked and the stories that are told just feel needlessly over the top for my tastes. i love the aesthetics and the worldbuilding and lore and everything but the actual stories being told and the way a lot of characters are written don't have enough substance to capture me which makes all the death and destruction feel annoying rather than saddening.

the granddaddy of cyberpunk, "do androids dream of electric sheep," ends with the main character basically finding peace and going to bed while his wife makes coffee and orders some food for his pet synthetic frog. now that i think of it, Cyberpunk is pretty much the only cyberpunk setting that is so fucked up which i guess carves its own section of the genre out, but it's a little unfortunate that it carries the same name because in actuality it is quite different from everything else. it's just extremely, borderline comedically, tragic by design and i'm not a fan of that.

@beardalaxy @Iffine @Minty idk man, fairly or unfairly, Neuromancer is cited as the seminal cyberpunk story, and the ending there is more downer than upper. Not exactly misery porn, but it's definitely about broken people who stay broken.

@japananon @Iffine @Minty haven't read it so i can't really confidently give an opinion on it.

@beardalaxy @Iffine @Minty Well, at any rate, I think I agree that there's a dystopian/utopian slider with sci-fi, and if it moves too far away from dystopia it stops being cyberpunk. The catchphrase I was always familiar with being associated with it was "high tech, low life". If things get too happy and optimistic is slides more into solarpunk, for me at least.

@beardalaxy @Iffine @Minty Actually, adding to this.. I think a cyberpunk genre story could include an element of "old world dying, new world struggling to be born", but the new world would only be hinted it in story and occur proper only after the story's end.

@japananon @Iffine @Minty 2 games! the first one is the better of the two but the second one is pretty damn good too, i had a great time playing both of them. if you've played hotline miami, it's got that kind of difficulty to it while also having like, a doom 2016 mission structure. the encounters are really hard and you die in one hit but you just get spawned back at the beginning of the encounter so it doesn't feel too punishing. i'd recommend them heavily, really fun games that are kind of overlooked.

@japananon @Iffine @Minty the point i'm trying to get across isn't that cyberpunk can't be a dystopia, it's that Cyberpunk(tm) is forcibly bleak and i can feel that so it turns me off. idk maybe i'm just not expressing it properly. it's the difference between the actual setting and the story being told within it as well as the characters in said story.

you think tron would fit as the neutral on that sliding scale? its real world depiction is pretty much just ours but with higher technology than we currently have going on behind the scenes. it has factions tugging in both ways to make things either a utopia or a dystopia which i think is pretty interesting.

@beardalaxy @Iffine @Minty Cyberpunk (tm) is definitely more miserable than a lot of other works in the genre, so that's understandable. There are games/stories where the character survives, or accomplishes some personal goal while the world around them remains fucked up. The writing for the main story in Cyberpunk (tm) was honestly pretty weak, imo. I found a lot of the characters just plain unlikable.

I'm honestly not sure where Tron fits, genre-wise. It has some visual aesthetic that bleeds into/shares blood with cyberpunk, but idk. A lot of the genre boundaries are really hazy anyway.

@japananon @Iffine @Minty i was so upset with the ending i got man. did so much stuff with and for judy and talked about moving away and everything but because i didn't like panam, V decides to be all emo and not leave night city with judy after all. i'm still mad about that.

@japananon @beardalaxy @Iffine @Minty I'm dreading the writing in the cyberpunk 2077 sequel now that CDPR completely went off the DEI deepend.

we already had a tranny snowflake that you could not even flatline in the first game. No doubt it was some CDPR staff member's shitty selfinsert.

@Tamamo @japananon @Iffine @Minty at least cyberpunk has the benefit of having all that shit built into the dystopia in the first place. it kind of becomes parody when you try and glorify it. but i've no doubt they'll push it more with like a trans romance option or something.

it's witcher 4 that i'm more worried about. i'm still hopeful, maybe pointlessly so, but there is that worry that it's going to be pozzed to a certain degree. cdpr is pretty DEI infested but i do think they're still relatively smart. we'll have to see.

definitely not going to be buying either of them until reviews come out and i see what's up.

@beardalaxy @japananon @Iffine @Minty What made the tranny in 2077 so obnoxious that they made it a point to make him all natural without any cyberware in a fucking setting like cyberpunk because he was just that much of a special snowflake.

I hope the retard who came up with that shit 41%'d himself.

@Tamamo @beardalaxy @Iffine @Minty Was the tranny the bartender/road racer shit? I remember doing that sidequest line for a bit, until I noticed the troon bumpersticker, at which point I threw the race and drove us both off a cliff.

@japananon @beardalaxy @Iffine @Minty Yeah that's the tranny. His quest is about finding his faggot boyfriends killer.
At some point you find him and you get the choice between winning the race or to chase the killer.
Obviously i finished the race because the killer did nothing wrong and tranny can go fuck himself.

After that the tranny refuses to serve you at the bar.
@Tamamo @japananon @Iffine @Minty @beardalaxy the writing was weak in the first game too, it really shows how bad the writing was in the game since everyone likes the anime's story way more for good reason :cat_laugh: it really hurt it that they re wrote it just so a celebrity can be in it and gutting almost every single plot about Cyberpsychosis besides the small side missions.
@Yako @Iffine @Minty @beardalaxy @japananon Phantom Liberty was a step up in terms of writing tbh.
It had lots of cool details in it depending on your actions in the main game.

It also helped that Songbird makes Johnny fuck off for a while.
@Tamamo @Iffine @Minty @beardalaxy @japananon that might be true, didn't played the dlc and didn't heard anything about it either :shrug2:
@Tamamo @Yako @beardalaxy @japananon @Iffine tbf I liked Johnny by the end of the game a lot more than several other characters. He grew on me :zt_shrug:
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