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@lain >begs for help from the woman he pulled from Hell
>woman runs off
>watches a faithful woman help her man survive
>chooses literal fall into Hell

I've said it before, good fiction warns people to stay away from the dark ending.

@ChristiJunior @verita84 Should've looked more like the art people are making of it.
This looks more like a top tier spell.

@ChristiJunior @verita84 They definitely could have added some flair to that, but I don't know how that looked in the manga.
Could be the director's fault. :peepoShrug:

@ChristiJunior @verita84 I only watched season 1 so I can't say for certain.
I watched a clip, and it looks like a lot of CG, experimenting I hope?

I really don't understand how every studio known to man manages to screw up the frame rate of 3D animation.

This shit was already figured out decades ago.
ReBoot first aired circa 1994.

Homos will defend this shit saying it's hard to make it look smooth when combined with traditional animation, but Planetes (2003) had 3D models for Earth and a space station, and it slowly, and SMOOTHLY rotated.

These days, even full 3D shows have stutters, from the small screen such as Kemono Friends, to the big screen like Batman Ninja.

@Goalkeeper Now there's a name I have not heard in many years.
3 years to life is a very large range of possibility.
Didn't he claim asylum in the states because the government of Singapore wasn't fond of his open advocacy for pedophilia?
At least that's what I heard of him last.

@ChristiJunior @verita84 The first season was animated by Madhouse, while the second and third seasons were produced by J.C.Staff.

Madhouse's resume is legendary (pic related).

While the best anime J.C.Staff ever made was Excel Saga, which isn't known for its animation quality, and was almost certainly a fluke in every way.
> The lyrics for the opening theme Love (Loyalty) (「愛(忠誠心)」, Ai (Chūseishin)) were written "on the train, five minutes before the deadline" - director Shinichi Watanabe.

Okay, so that latest of episode of One Punch Man...it started off bad, but well within what I've come to expect from OPM Season 3 at this point. Like, if this had been a JewTube fan animation, I'd have considered parts of it pretty good. Of course, it was still complete and utter trash even compared to Season 2 - and it actually also cut a fair amount of fighting, including Sekingar showing that even he is capable of killing monsters. Given just how slow and devoid of action this season has been so far, REMOVING action scenes is pretty much unforgivable. On the whole tho, I'd have considered it a 3/10 episode...until we got to the Rhino Wrestler fight.

I don't know why, but for some reason the quality of the episode fell off a cliff once Big Rhino started going on his rampage. The artwork was shit, the animation was abominable - and that's what they even bothered animating, because WOW did they resort to so many shortcuts! The ferocity of the battle, the overwhelming strength of Rhino Wrestler, the desperation of the heroes, the speed and impact of the moves - NONE of it was effectively conveyed for even a second, not a single part of the fight worked. Hell, I used to think that the comparisons to Berserk 2016 were maybe a bit too harsh, but thinking about it now, that series actually had a couple of fight scenes that kinda, sorta worked. OPM Season 3 hasn't had a single fight scene yet that's even average.

The only good thing about this episode was a few shots where Captain Mizuki looked cute, that's it. What an absolute abortion of an episode, for real...
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